Metawriting posts from the new blog location

Sunday, January 16, 2011

Spring 2011 3X3

As a reflective practitioner (clear demonstration of my NWP affiliation) Natalie Houston's suggestion on ProfHacker to reflect on the past semester as I prepare for the new one fell on fertile ground. I agree it is important to look at what worked and didn't in the past to make sure that my experience informs my future practice.

What Worked Well

Focusing on Writing About Writing with my Writing II students. As I used the more traditional approach for my Writing I class I didn't want to simply mimic that for Writing II. What I chose to do was have my students focus on writing about writing in their intended profession. This made the work more interesting and more meaningful. While a few students did not enjoy it, the majority reported learning a lot about their future profession.

Using a variety of different types of reading including a book required by my department plus readings from the web that I suggested and peer-reviewed journal articles my students located in the journals of their intended profession. This allowed us to have both breadth and depth of coverage and have conversations about the different kinds of text available and how to determine which is appropriate for the task at hand.

Using Twitter and Blogger to develop audience awareness and increase communication channels. In general, I was pretty happy with my use of Blogger but our use of Twitter kind of petered out in the second half of the semester so I will need to work on that a bit.

What Didn't

The way I worked out assignments for our class annotated bibliography. It was messy and time consuming and dragged on far too long.

Not giving more specific Twitter assignments throughout the semester.

Allowing too much time and flexibility with early assignments. I was trying to allow for that early semester roster fluctuation but in the end it just caused confusion.

What I'm Changing

I have changed the way I'm assigning reading this semester. I'm still allowing students to make requests but I'm not going to worry so much about the back and forth haggling. They will get a shot to ask and then get what they get. Also, I have compressed the whole timeline for that early reading and annotated bibliography assignment so it doesn't drag on like it did last semester.

I am folding Twitter into the metawriting assignment and will give more prompts and require more posts beyond the reading assignment. Making it part of a grade will give it more importance and linking it to this particular assignment (I hope) will show how/why I value it. In general I was happy with the way I used reflection and metawriting but this could be tweaked a bit more as well to emphasize what specifically I want from my students.

I'm going to try to be more explicit about my goals for my students and teach toward those in a more explicit manner. Last semester I was focused on those goals but perhaps was more implicit than I should have been.

Friday, December 3, 2010

The 3 Lessons I Hope You Take Away

As we near the end of our semester together, I wanted to share with you three lessons that I hope you take away from this class. Clearly my goal for this writing class was to help you become better writers, but if my own work as a writer and as a scholar of writing studies has taught me anything it is that you – and you alone – can make this happen. I cannot make you a better writer and I cannot teach you how to be a better writer, but I can give you experiences that will shape you into a writer. Hopefully I did so this semester.

First, and foremost, I hope that you have become a more reflective writer over the course of this semester. Research, my own and that of other experts, shows that reflecting at a meta level about your writing is the key to your growth and development as a writer. This is why I asked you to reflect after each writing assignment as well as at the end of the semester. Hopefully this reflection will help solidify the lessons you learned this semester and hopefully what I am telling you now will help you realize that continuing this reflection after you leave this class will be useful to you as a developing writer.

An important part of our work this semester has been your immersion into a new discourse community – that of the profession you intend to join after earning your degree. You read professional literature produced in and for this field as well as interviewed professionals in preparation for your own writing. I hope this has not only taught you about the ways your professional peers communicate, but also how they value that communication. In addition, I hope that this process has also taught you how you can develop an understanding of other discourse communities that you encounter throughout your life as a writer.

Finally, although we have not spent a great deal of time specifically talking about genre – the form and structure writing takes – our study of the various discourse communities that you are striving to join has exposed you to the way that the discourse community shapes the genre. While in the future you cannot count on someone giving you an assignment sheet and scoring guide, you should now understand how studying the work of others in this same discourse community attempting similar tasks can inform your writing and teach you the specifics of the genre. Hopefully this study will allow you to generate your own internal checklist for future projects.

While you may have had different goals for your success this semester, ultimately that is what I hope you gained from this class: an understanding of the importance of reflection, an understanding of how to learn about and join a discourse community, and an understanding of how discourse community shapes the genres of writing it produces.

Good luck with your continuing journey to become a better writer and I am so glad we had a chance to work together this semester.

Wednesday, November 3, 2010

Calling For A Revolution or It’s About The Writer, Stupid

American education is in crisis and nowhere is this more evident than when we look at the teaching of writing. Despite decades of research in support of the teaching of writing and the fact that we know more than ever before about how people learn to write as well as how to effectively teach writing – we do not see this knowledge used to improve the teaching of writing in any consistent fashion. We need a revolution in the teaching of writing but there is not even a whisper of a battle cry in the trenches. As a writing teacher I ask myself every day what we should be doing to improve the teaching of writing and I have come to the conclusion that we are simply focusing on the wrong things.

Far too much focus in the teaching of writing is on the end product. This appears to be all that administrators and non-writing teachers (don’t get me started on how every teacher is a writing teacher as this isn’t the time or place for that rant) care about. It is also what the public appears to care about. These attitudes then drive what our students think is important and, more often than I care to think about, drive what my fellow teachers of writing think is important. This, of course, runs counter to everything we know about how people learn to write and how good writers become good writers, but in our numbers-focused world it is much easier to focus on a test score (as if any standardized test can give us any information of value when it comes to writing) or final grade or number of errors. That is the easy way out. That is the easy to way evaluate writing. Never mind that all these methods are completely useless when it comes to evaluating writing.

Of course, in the past, the focus on writing process has been equally problematic. While an important part of the process of becoming a writer, focusing on process alone is not the answer to making someone a good writer. In addition, process has been rather haphazardly taught in many writing classrooms and in many writing textbooks. Quite simply, a focus on process is not a solution to the problem of teaching writing.

So what is the solution? I believe the solution to the problem of teaching writing is not focusing on the writing but instead focusing on the writer. If we do not focus on the root of the problem then we are only treating the symptoms – we are not curing the patient. While asking for a definition of good writing is problematic – you will often get four definitions when you ask any two people because the value of writing can only be judged in context and context is variable – we do know, thanks to research, what makes a good writer. Good writers can consistently deliver suitable writing. Suitable writing is not of course judged solely on correctness, although it does play a role, but is determined by the effectiveness of the writing for its purpose. Does it do the job? Of course, not every writer creates terrific writing every day and not every writer can write effectively in every situation, but a good writer can study the particular context, and through practice and study, deliver the goods. Every good writer that I know did not become a good writer by fortuitous accident. They may have been blessed with a good ear, quick mind, or strong support system, but it takes diligent practice and study to capitalize on those blessings and become a good writer. It takes even more perseverance to overcome the lack of these blessings to become a good writer. We do not do enough in our education system to help would-be writers capitalize on their blessings, or overcome their lack, and we do very little to help would-be writers actually become writers. For centuries (forever?) we have depended on the individuals’ drive to become a writer to struggle and persevere to learn, grow, and develop as a writer, but our education system does not offer a consistent, effective plan to help people become writers.

Perhaps the battle cry for our revolution could be adapted from Bill Clinton’s 1992 presidential campaign – It’s about the writer, stupid. If we ask this basic question whenever we make a decision (big or small) that concerns the teaching of writing – will this help our students become writers – and judge the answer using real research – then and only then we will see an improvement in their writing in the long-term but even more important we will make them writers – and that after all is the goal.

Wednesday, October 20, 2010

Don't hate me because I love my job

Today is the National Day on Writing and I believe this blog post honors that celebration.

I love my job because I spend my days writing and hanging out with other writers (in person or virtually or both). What could be cooler than that? When I was a working writer I loved that too although in a different way. Writing is fun, challenging, and tormenting -- sometimes all at the same time. Words have the power to make people think, feel, and do things -- sometimes against their will. Being able to wield words with that power is exhilarating. However, since I have become a teacher of writing I have found a different sort of exhilaration -- helping someone else recognize and learn to wield that power. I happen to think I have the most important job there is because without literacy then all the rest of education is meaningless. There are many reasons I love my job but I think a quick look at a selection of the past week's events can illustrate that point for me.

My midterm grading backlog was formidable but I managed to get through it thanks to the inspiration I found in my students' reflections on the class to this point. Despite taking a general education required class (note: I think this is an important class but we all know many students don't agree), they are aware that they have learned some important lessons about communication, literacy, and writing and that awareness gave me a buzz every time I encountered it. One student writes: "I will be using what I have learned in my daily life". I should have kept track of all the great comments but didn't think of it until later and this reflection just happened to be the last one that I read.

I took a break from midterm grading to attend the 2010 Watson Conference at the University of Louisville and had a marvelous experience. I enjoyed the fortuitous serendipity of the session where I presented with Heather Blain and Timothy Johnson and we had the opportunity to talk about writing workshop, genre, and agency with our audience after presenting our papers. I loved that opportunity to have a conversation about the convergences of our topics and enjoyed doing so in the other sessions I attended as well. I also loved listening in to the conversation about larger issues during the keynote sessions. Not only to hear the key points brought up by the speaker by the chair and presenter but also the questions, comments, and thoughts of so many notables that have only been names on books and articles but now have faces and personalities too. Taking the step back from my daily teaching routine in order to gain the perspective necessary to see the larger issues of the field is necessary but I was so pleased to be able to do so at the Watson this year as it was an entirely different experience than attending the CCCC's and I really enjoyed it.

Once I had a chance to recover I was able to dive back into my current project -- my dissertation. I am in the throes of wrapping up my analysis and working through my conclusions and that is heady stuff indeed. I am learning a great deal about how a person becomes a writer. Learning how we can foster rhetorical agency and increase writing self-efficacy is important to me personally but also very important to the field. Not only is this important work, but I find it incredibly interesting.

I don't love everything about my job but I do love the major aspects of my life as an academic. I love helping my students become writers. I love talking with peers who love teaching too. I love investigating ways to help us do both those things even better.

Wednesday, September 29, 2010

Writing Self-Efficacy is not the same thing as confidence

Self-efficacy is not the same thing as confidence. Confidence is often equated with arrogance or hubris and may have little relation to actual ability. Self-efficacy on the other hand is based on real factors. The primary sources of self-efficacy are actual performance experience, comparisons with and observations of the performances of others, what others say about your performance, and your general physical well-being at the moment. So, for example, say that you are a runner. Your running self-efficacy will be determined by how well you have run in similar situations in the past, how your running compares with other runners, the feedback you have received about your running, and your general sense of well-being and preparedness for the challenge at the time. Self-efficacy is a much more informed self-evaluation than confidence and that is why self-efficacy is important to performance.

This sense of informed self-evaluation is also why I believe writing self-efficacy plays an important role in transfer. It is a key part of self-knowledge that will help continue growth and development long after students have left the classroom. Writing self-efficacy is not the same thing as the first-semester student who tells me she got all A's in high school English or that his mom thinks he is a good writer. I can't tell my students they are great and see their writing self-efficacy increase. In order for my students to gain writing self-efficacy they need the opportunity to perform -- they need to write -- hopefully giving both deep and broad experiences, but they also need the opportunity to compare their performance, their writing, to that of others which then helps them judge the quality of the feedback they receive from others about their writing.

I don't want to simply go through the motion of preparing my students for their future writing challenges -- I want to increase their own sense of preparedness and their sense of writing self-efficacy.

Saturday, September 25, 2010

Why am I studying writing self-efficacy?

I don't believe the ability to write is a gift from the Muse. I believe becoming a competent writer can be learned, but I do not believe it can be taught. This is especially true of the way that we so often teach writing -- with a sort of inoculation instruction focused on "mutt genres" intended to prevent future bad writing that may help student writers in the short term, but not in the long term. I am not all that confident of the "may help" either, because all too often, I believe it does more harm than good by reinforcing students' belief that they will never, can never, be writers. This is very harmful indeed because writing is such an essential part of communicating today. I think we can better serve our students by shifting our focus away from teaching context-less writing lessons and focus more on helping them become writers.

Writing is a complex skill that requires that the writer be able to evaluate the context, understand the needs of the discourse community, and work within the appropriate genre as defined by that community to appropriately meet the requirements of the situation. Preparing students to handle the infinite variety of situations such complexity creates seems a hopeless task to me. Worse, teaching students that writing is simpler and easier to master than it actually is undermines their confidence and competence. So how do we prepare them? How do we help them become writers?

My goal is for my students to become self-directed and self-regulated writers. I use a two-pronged approach to achieve this goal. First, my writing classes are focused on "writing about writing" to help my students understand how to study a context and discourse community so they can choose the appropriate genre and work with it as determined by that context. I tailor this approach to the level of students and expectations for the class so it is different for my first-year students than it is for my graduate students and so on. Equally important to this effort is my focus on agency and self-efficacy. In order for my students to be ready, willing, and able to take this much control upon themselves they need to have confidence in their ability to address the task at hand and belief in their ability to to control their own destiny. In order to become writers, they need both self-efficacy and agency.

Albert Bandura defines self-efficacy beliefs as a person’s belief in their capability to produce the desired effect through deliberate action. This is similar to a self-fulfilling prophecy in that positive self-efficacy beliefs lead to positive outcomes and negative self-efficacy beliefs lead to negative outcomes. Decades of research in diverse fields has shown that self-efficacy is a more consistent predictor of behavioral outcomes than other self beliefs. In particular, research suggests that beliefs about writing processes and competence are instrumental to the writer’s ultimate success as a writer. This is because self-efficacy beliefs influence an individual’s chosen course of action, perseverance, resiliency, sense of optimism or pessimism, and reaction to stress and depression. Sources of self-efficacy are performance or mastery experience; vicarious experience, such as observations and social comparisons; social persuasions; and physiological state. However, Bandura emphasizes the fact that agency and self-efficacy are interdependent. In order to make the decision to act, people must believe they have the power as well as the capability to act.

That is why I am studying writing self-efficacy. I want to better understand how people become writers so I can help my students become the self-directed and self-regulated confident writers they need to become to succeed.

Thursday, September 16, 2010

Tweet, Tweet: This is My Class on Twitter

I admit it. I'm an avid reader of ProfHacker and often find myself inspired by ideas I find there -- ideas such as teaching with Twitter (Framework and Practical Advice). I also have several colleagues who tried Tweeting with their students and so it has been something I've thought about for a while. This semester I was inspired to use Twitter with my students for these reasons as well as the fact that my basic focus for the class was to explore the idea of writing for different audiences and for different purposes. Also, as I frequently teach online (as I am this semester) I was looking for a way to improve communication and increase the connections we make in class.

In the past I have worked to channel class communication to take place within BlackBoard and restrict the use of other channels of communication, such as email, to specific discussion of private issues, such as grades. I did use online chat programs, such as Instant Messenger, to confer with students about papers but this was hardly a daily occurrence. While the restriction of class interaction to BlackBoard did make teaching dozens of students more manageable and make all information available to everyone -- and not just the student who asked the right question -- it doesn't really promote a lot of give-and-take (in general). I have had (and am participating in some right now) great discussions in BlackBoard but there is also a lot of one-way communication rather than an actual conversation. Plus, the simple truth is that you have to log into BlackBoard to join the conversation. For busy students (and teachers) this doesn't happen as frequently as is possible using a communication channel such as Twitter. I have Twitter on the home page of my computer and mobile devices. I never just glance at BlackBoard like I do Twitter.

One of the reasons that I like Twitter for myself (the person, not the teacher) is that it allows me to communicate with friends and colleagues immediately. I can glance at my Twitter feed (as I do several times a day) to see what they are doing and/or thinking. Sometimes it is something interesting to me professionally and sometimes it is funny and sometimes it is poignant. I love these glimpses into the lives of my friends but I also love the ability to stay in touch with what is going on in the world as well as my profession.

I have found that pushing my students on to Twitter offers me similar glimpses into their lives. Whenever I check my class Twitter feed I gain new insight into who my students are and what interests them. Granted sometimes there is Too-Much-Information because some students don't filter but in general I know when someone is feeling under the weather or overwhelmed by life. I would not have known either of those things in a traditional online class although probably would have in a face-to-face one. While I might not really care what my students ate for dinner last night, I do like knowing more about their lives outside of class as it makes them more real and more accessible. I think for that reason Twitter has made me a better teacher.

However, more than simple personal benefits, Twitter has had a direct impact on my teaching and the class in other ways that are beneficial. I can push out messages via Twitter that I would have previously had to send via announcements or email. Those methods work but also require more effort on the part of the students to access (they have to log into BlackBoard or their email server to see if there is anything new). They also seem so formal and heavy handed that I try to use them sparingly. I do post a new "Announcement" in BlackBoard every week (more if something comes up) but hate to overuse it. I can Tweet once or twice a day and it feels much more informal and more accessible. Of course that is my perception. We'll see how the students feel about it.

I have not required a certain number of Tweets from my students but instead required that they Tweet about certain things at certain times -- for example, Tweet about the reading selection you just posted to the class annotated bibliography on the class blog. This seems to have worked fairly well. Students are posting regularly about class business as well as personal lives. What I have found is that these posts help me keep track of the various subjects that students are working on (they were tasked to choose a theme for the class that included their intended profession) because I am getting regular reminders of these subjects. I hope the students are also seeing these trends and intersections among their work.

A month into the semester and I feel that Twitter has helped me get to know my online students better and to stay connected with them, so I feel my experiment has been worthwhile. In the end, the proof will be in the pudding -- did it improve my students' experience in the class? Some students have already commented that they feel more connected and like knowing there are real people "out there" reading their messages and classwork, but other students have complained that there are too many places where information must be posted and tracked. This is a valid complaint as I am using a class blog in addition to BlackBoard and Twitter. I wanted to open multiple channels of communication this semester and we'll just have to wait until the end of the semester to determine if that was a good choice, but, right now, from where I'm sitting, I'm pretty happy with my choice.